Musician and artist Goya Gumbani joins Chrystal Genesis in New York’s East Village ahead of his live show to talk sound, style, Miles Davis, and his new album, Warlord of the Weejuns. In this episode, the Brooklyn-born, South London-based artist reflects on the cultural influences behind his dreamy, laid-back record, where the storytelling of New York hip-hop meets London’s jazz edge. Recorded just after soundcheck, their conversation glides through fashion, food trucks, friendship, and family, with Warlord of the Weejuns, out via Ghostly International, threaded throughout. The album features contributions from Fatima, Yaya Bey, Joe Armon-Jones, and more, and is a meditation on self-expression, Black cultural lineage, and the quiet power of doing things your way.

Marie Mitchell joins Chrystal Genesis at home in Harlem for a cooking lesson and conversation, sharing recipes drawn from her debut cookbook, KIN: Caribbean Recipes for the Modern Kitchen. In this episode, Marie teaches Chrystal how to finally master a classic Caribbean staple while sharing stories, memories, and the legacy behind the food. As the daughter of Jamaican-born parents, Marie’s approach to cooking is about bringing people together through flavor, history and conversation. Her debut book KIN goes far beyond the usual jerk chicken with rice and peas, weaving together more than 80 recipes from saltfish fritters and aubergine curry to dumplings, pineapple punch and provisions, alongside essays and reflections that trace cultural connections across histories, geographies and generations. Over the stove and around the table, Chrystal and Marie explore the many layers of Caribbean cuisine, from the role of intuitive cooking to the importance of honoring the past while making space for the future. KIN marks the beginning of a longer journey, spotlighting the dishes, subtleties and often-overlooked stories that shape Caribbean food.

Stance visits London to explore the Tate Gallery show The 80s: Photographing Britain with campaigner Marc Thompson. The exhibition examines how photographers used the camera to respond to the seismic social, political, and economic shifts of the era, including the rise of Thatcherism, race uprisings, and the AIDS epidemic. It highlights photography as a vital tool for social representation, cultural celebration, and artistic experimentation, spanning landscapes, self-portraiture, and social documentary during this pivotal and highly creative period. Marc Thompson, a Brixton-born cultural leader and prominent British campaigner with over three decades of experience in HIV activism and education, joins Chrystal for a tour of Tate Britain. Together, they engage with the works of photographers such as Ajamu X and Rotimi Fani-Kayode, discussing the legacy of Black queer voices in shaping modern Britain, the cultural significance of Brixton as a hub for activism, creativity and nightclubs, and the ongoing fight for healthcare equity faced by marginalized communities today.

Stance is back with musician Moonchild Sanelley as we approach our 8th year on air! In Season 4, Chrystal Genesis explores the people, places, stories, and ideas shaping our creative world. And with that, we head to South Africa to hear about Full Moon, the upcoming album from Port Elizabeth-born, Jo’burg-based singer, dancer and businesswoman Moonchild Sanelly. Born Sanelisiwe Twisha, she was raised on dance routines and church choirs and has since created a sound that’s entirely her own, which she calls Future Ghetto Funk—an eclectic fusion of hip hop, punk rock, house, and dance-pop with South African gqom and kwaito. She has also collaborated with artists like Beyoncé, Self Esteem, Nile Rodgers, Ezra Collective, and Gorillaz. Chrystal sat down with her to discuss her third studio album, Full Moon, her patented teal Moonmop hairstyle, and the inspiration behind her new record's themes of sexuality, reclaiming power, motherhood, vulnerability and forgiveness.

After seven incredible years of Stance, with over 64 episodes exploring arts, culture, and current affairs, 8 impactful Stance Takes shows, the growth of Stance Studios, multiple awards, and over 30 live events around the world, we’re thrilled to bring you the final episode of Season 3. Stay tuned as we look forward to new beginnings in Season 4! In this show, Chrystal Genesis takes a look at creativity, storytelling, and the essence of being human through literature, music, history, and culture. Musician and producer Kamaal Williams joins us to talk about his latest album, Stings, his enduring faith, and the layered creative influences behind his music. Author LaToya Watkins discusses her new short story collection, Holler, Child, set in Texas, and how using method-style acting brings her closer to the characters she writes about. Artist and composer Cochemea reflects on his work with Sharon Jones and the Dap-Kings and his album Vol. II Baca Sewa, which connects ancestry, memory, and improvisation. Musician and multi-instrumentalist Sinkane shares the inspirations behind his upcoming album, We Belong, which celebrates Black creativity and joy.

On this episode of Stance, we explore the question: what does it mean to be a Jewish person of color in America today? We speak with a range of voices from this growing demographic, spanning philosophy, pop culture, community organizing, and journalism. We also dive into music with jazz musician Enji, who shares insights on her mesmerizing new album, Ulaan. During a Sukkot celebration, members of the Jews of Color Initiative—Jade Groobman, Sarah Starks, and Riki Robinson—discuss their hopes, dreams, and their work in building stronger communities within Jewish spaces. Ilana Kaufman, CEO of the Jews of Color Initiative, explains the organization's mission to create professional, organizational, and communal spaces for Jews of Color. She highlights the importance of accurately capturing data about Jews of Color and empowering them to take on leadership roles. Writer Hanah Bloom tackles the model minority myth twice over in her essay on being a Japanese American Jew, published in Hey Alma, a contemporary online community. She reads from her essay and shares some of the responses it received. Professor Lewis R. Gordon, an expert in philosophy and global affairs, offers a window into the diverse history of Jewish peoples, recounting his experiences navigating between Jewish communities in Jamaica and the U.S. We conclude with journalist Robin Washington, Editor-at-Large for The Forward, who reflects on what it means to be a Black Jew in the wake of the tragic events of October 7. To end, we cover vocalist and composer Enji’s musical journey and the inspiration behind her third solo album, Ulaan. She talks about how blending jazz, contemporary folk, and the ancient Mongolian tradition